Tatting, a form of lacemaking, is a particular process I enjoy, which sparks numerous questions and remarks on its continual practice. I strive to portray the rich traditions surrounding lacemaking in my glass work, as well as continue my exploration in developing new methods to push the technique forward.

This body of work illustrates two viewpoints concerning handmade lace as a dying art. On the one side, somber glass urns are created to house traditional pieces of lace. Though elegant, the objects are slightly depressing, for the lace remains stagnant at the bottom of the vessels where they can serve no purpose.

The other perspective is more lively, as vibrant colored glass forms are embellished or embodied by intense lace patterns. I aim to display the timeless purpose of lace to adorn objects, as well as people. Similar to other media, lace has evolved in style, therefore a variety of traditional to modern patterns were used for inspiration.

Jennifer A. Halvorson